Christopher Nolan's 26 principles for creative work - constraints breed resourcefulness, flip ideas, mute the world then build your own.
Christopher Nolan isn’t an artist. He’s a jack of all trades. And proud of it.
His generalist approach helped him piece together his first feature film ‘Following’ for just $6000. And it still shows up today in movies like 'Tenet' and 'Oppenheimer'. As well as his reputation as an incredible storyteller, he's also renowned for being able to work with constraints - always coming in on time and on budget.
Knowing a little about a lot and getting the most from what you have can actually stoke creativity, not hinder it.
Here are 26 principles that drive Christopher Nolan’s work*.
They’re not just a wonderful guide for filmmaking, but for all kinds of things worth doing: teaching, writing, marketing, entrepreneurship, and beyond.
Speaking of constraints: if you could only pick 3 of these, what would they be?
If I had to run with three: constraints breed resourcefulness (16), the first thing to do with an idea is flip it (8), and assume it will be a failure and then start working to prevent that (18).
They are the same habit from three angles. Decide what you are working without, turn the idea over before you commit to it, and treat the version in your head as the one that fails.
Nolan’s other trick is the one we wrote about separately: the order he tells you things in is doing as much work as the things themselves.
* Everything's a remix. This list comes from David Senra’s Founders Podcast, which in turn came from Tom Shone’s book ‘The Nolan Variations’. Both excellent and worth checking out.